Jurnal Kajian Bali
The Jurnal Kajian Bali (Journal of Bali Studies) is an area study journal that specializes in publishing research-based articles about Bali. The topics of articles about Bali that can be published are very diverse including Balinese culture, politics, music, language, architecture, literature, history, mass media, popular culture, tourism, economy, environment, health, law, management, religion, and Balinese customs. The journal would also like to publish articles on Bali with comparative approaches. The Jurnal Kajian Bali (Journal of Bali Studies) is published twice a year, every April and October. Published articles are reviewed in a single blinded manner. The Jurnal Kajian Bali (Journal of Bali Studies) was first published in April 2011 by the Center for Balinese Studies, University of Udayana. Starting from April 2019, the journal is published jointly by the Center for Balinese Studies and the Center of Excellence in Tourism, University of Udayana. However, starting April 2020, the Jurnal Kajian Bali (Journal of Bali Studies) was published by the Center for Cultural Research and the Center of Excellence in Tourism, University of Udayana. This change occurred because of the reorganization of research centers at Udayana University from the end of 2019.
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<![CDATA[Pemetaan Partisipatif melalui Aplikasi GPS untuk Mitigasi Kon ik Batas Wilayah: Studi Kasus di Desa Adat Nyuh Kuning, Ubud, Bali ]]>
<![CDATA[I Ketut Sardiana]]>;
<![CDATA[I Wayan P. Windia]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p08
<![CDATA[Customary village con ict triggered by border disputes become an important issue occurred in Bali in recent decades. Unclear village boundaries can disrupt the tranquility of the traditional village concerned. This paper is intended to examine the participatory mapping approach through application of Global Possitioning System (GPS) for mapping the area of customary villages. The present research was conducted in Desa Adat Nyuh Kuning, Ubud, Gianyar, Bali. The study revealed that participatory mapping through the application of GPS is suitable for the mapping of customary villages. This approach produces a map of the village with high accuracy that the depiction of the boundary line in accordance with the coordinates in the eld. Delimitation of the territory by involving and ge ing agreement from neighboring villages will be able to prevent border disputes with neighboring indigenous villages.]]>
<![CDATA[Partisipasi Masyarakat Lokal dalam Pengembangan Kawasan Pariwisata Candidasa ]]>
<![CDATA[I Made Adikampana]]>;
<![CDATA[Luh Putu Kerti Pujani]]>;
<![CDATA[Saptono Nugroho]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p04
<![CDATA[This article examines the local community participation in the Candidasa tourism area, Karangasem, Bali. The objectives are to identify the capital exchange practice of local communities with the tourism industry and then determine the type of local communities’ participation in the development of Candidasa tourism area. The community based tourism approach adopted to understand the phenomenon of local community participation. Based on observations and interviews can be addressed that the communities surrounding the Candidasa relatively have an exhaustive capital. However, the comprehensiveness of such capital is not accompanied by the proper capital exchange strategies by indigenous village institution as a representation of local communities. The local communities only get relief materials from tourism as a result of the capital exchange. Accordance with the practice of capital exchange, it can be said that this type of local community participation is included in the participation for material incentives. This type of community participation is still relatively limited, so it necessary to improve the their involvement into tourism development in Candidasa.]]>
<![CDATA[Pengantar Editor ]]>
<![CDATA[I Nyoman Darma Putra]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p00
<![CDATA[Nyepi di Kampung Muslim Al-Amin: Leksikon Dinamika Sosial Toleransi Beragama di Denpasar, Bali ]]>
<![CDATA[I Nengah Punia]]>;
<![CDATA[Ni Luh Nyoman Kebayantini]]>;
<![CDATA[Wahyu Budi Nugroho]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p09
<![CDATA[This research examines the habitus creation in the neighborhood of Al-Amin which is located at Banjar Sanglah, Denpasar City. This neighborhood evidently is able to actualize the inter-religious harmony since 1970 until now. In the related study, the concept of habitus from Pierre Bourdieu with formulation (Habitus x Capital) + Field = Practice was applied, while adopted the ethnography method. Through the conducted study, Bourdieu’s concept of habitus was able to explain the cognitive structure of various actors who play an essential role in the creation of the Al-Amin neighborhood, starting from the system of symbolic capital disposition, social capital, economic capital and cultural capital. Furthermore, the continuous harmony in the neighborhood of Al-Amin is due to its strong social and cultural capital. However, the harmony is inseparable from the framework between majority with minority, thus the character of social capital and especially the cultural capital in the neighborhood of Al-Amin tend to coopt other forms of capital.]]>
<![CDATA[Pilihan Bahasa Generasi Muda di Destinasi Wisata di Bali ]]>
<![CDATA[Ni Luh Nyoman Seri Malini]]>;
<![CDATA[Ni Luh Putu Laksminy]]>;
<![CDATA[I Nengah Ketut Sulibra]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p05
<![CDATA[Bali is one of the tourist destinations in Indonesia. Among areas that are frequently visited by the tourists are, Kuta, Sanur, and Ubud. For that reasons, many people in the regions participate in the tourism activities. It cannot be denied that many languages are involved in the areas so that the society of the parts becomes bilinguals or even multilingual. Based on such linguistic situation, this study aims at nding language use and choice in family, neighbor, education and religion domains.The data were in the form of spoken data collected from young people at di erent tourist destinations such as Sanur, Kuta, and Ubud. A qualitative method applied in this study. In spite of the facts, the result of the research shows that the Balinese language is still preferred as the means of communication among the young people both in a family, neighbor, and religious domains.]]>
<![CDATA[Agen Budaya dan Pemasaran: Peran Ganda Jaringan Perguruan Spiritual dalam Promosi Wisata Spiritual di Bali ]]>
<![CDATA[I Gede Sutarya]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p01
<![CDATA[The interest of foreign tourists to the spiritual tourism to Bali provides an opportunity for the development of the Balinese spiritual network abroad. These spiritual network have a dual role, in addition to initially introduce Balinese culture, they then also promote and become travel agents. This article examines the forms of spiritual disciple networks, the process of network transformation into marketing agents and the role of agents in spreading the culture, so that foreign tourists who interested in spiritual tourism are interested to come to Bali. These research problem are examined with qualitative approach through literature study, nonparticipant observation, and in-depth interview. Data were analyzed by the approach of tourism marketing theory from Seaton (1996) and postmodern theory of Derrida. The result is that the form of spiritual disciple network is the overseas training centers, the process of transforming into a marketing agency through the spiritual group’s desire to travel to Bali those are grew by spiritual teachers. The spiritual tour happened to Bali is the success of marketing agents as agents of cultural spread to the origin country of foreign tourists.]]>
<![CDATA[Cerita Klasik “Tantri Kamandaka” sebagai Sumber Ekonomi Kreatif ]]>
<![CDATA[I Nyoman Suarka]]>;
<![CDATA[AA. Gede Bawa]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p10
<![CDATA[This study aims to analyze a classical literary Tantri Kamandaka text as creative economic resources. This research a empts to o er the idea of literary studies to the downstream of research results that can be utilized as much as possible for the welfare of the community. As with the text of Tantri Kamandaka, in addition to being a medium of the nation’s character values, it can also be empowered as creative economic resources or cultural industry. This research made use of content analysis model and medium transfer study. The method used was a method of creating art works by covering the exploratory stage, the exploring activity to uncover the sources of ideas was based on the reading and comprehending Tantri Kamandaka text; the design stage was visualizing the results of ideas exploration into sketches or alternative design to nal draft; and the stage of embodiment, which was to establish the nal design into a prototive model until the perfect work was created in accordance with the ideas. The results show that the text of Tantri Kamandaka potential as a source of creative economy, especially as a source of inspiration for the creation of creative economic product designs.]]>
<![CDATA[Ketahanan Budaya Masyarakat Bali Aga dalam Menciptakan Desa Wisata yang Berkelanjutan ]]>
<![CDATA[Widiastuti -]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p06
<![CDATA[This article aims to determine the level of cultural resilience in the Bali Aga villages. The level of resilience is measured from the level of morphological changes of the village and the building on site. The study focuses on the development of the village and building morphology on site, resilience level, and factors that shape resilience. The approach used is descriptive qualitative with research locus is in four villages includes Tenganan Pegringsingan Village, Bugbug Village (Regency of Karangasem), Penglipuran Village, and Bayung Gede Village (Regency of Bangli). The result is Tenganan Pegringsingan Village has a very high cultural resilience, Penglipuran Village has high level of cultural resilience, Village Bayung Gede has a low level of cultural resilience, and the lowest level of cultural resilience is Bugbug Village. The most in uential factor on the level of cultural resilience is the internal factors, especially the ability to integrate the traditional management model (social, economic, and culture) and modern management model (tourism). Managing the uniqueness of village assets proves to be an important factor in creating a sustainable tourism village which is shown by the high number of tourist visits continuously.]]>
<![CDATA[Balinese Art and Tourism Promotion: From the 1931 ‘Paris Colonial Exposition’ to the Contemporary ‘Paris Tropical Carnival’ ]]>
<![CDATA[I Wayan Sukma Winarya Prabawa]]>;
<![CDATA[I Wayan Winaja]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p02
<![CDATA[The development of tourism in Bali cannot be separated from the role of artists and the community in preserving Balinese culture and tradition. This paper aims to analyze the role of artists in the preservation of Balinese culture that is associated with the promotion of Bali tourism in overseas through cultural performances which is currently known as marketing 3.0 models. Through research literatures, interviews to sample of participants and qualitative descriptive approach, this paper suggests that artists and society since the colonial era to the present day have taken an important role as tourism promotion ambassador of Bali and Indonesia, where the artists and the community have successfully presented the emotion or the spirit of Bali’s tourism a ractions.]]>
<![CDATA[Sinkretisme Siwa Budha dalam Lontar Candra Bhairawa ]]>
<![CDATA[I Made Dian Saputra]]>;
<![CDATA[I Nyoman Suarka]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p11
<![CDATA[Candra Bhairawa manuscript is a classical literary work which is full of knowledge. It is selected as the object of this study, aimed at a deeper investigation of the meanings of Hinduism teachings in said literary work. Furthermore, this study on Candra Bhairawa manuscript also aimed at identifying the aspects of Siwa-Buddha Ta wa. The Syncretism of Siwa and Buddha has become a way of life, which in turn gave birth to several literary works that have become moral guideline for literary enthusiast in the archipelago. The Hermeneutics theory was used to analyze the aspects of meanings of the text in Candra Bhairawa manuscript. The study shows that the Candra Bhairawa manuscript was based on two contrasting basic conceptions of Siwa and Buddha, which formed a balance aiming at a mutual goal of the deliverance of the soul from worldly ties, known as Moksa. In order to achieve said state, one must go through several stages known as sanyasa, namely the Yoga Sanyasa and the Karma Sanyasa.]]>
